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Browsing by Author "Houlahan, Mark"
Now showing items 1-5 of 6
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(Cambridge University Press, 2011)This article reviews three books: “Native Shakespeares: Indigenous Appropriations on a Global Stage” edited by Craig Dionne and Parmita Kapadia, “The Shakespearean International Yearbook, vol. 9: Special section, South ...
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(Continuum, 2010)At the famous climax of `Tis Pity, Giovanni enters the last scene of the play and, as he knows, his life, `with a heart upon his dagger', with which he-hearted implement he stabs his enemy and brother-in-law Soranzo, before ... -
(2010)Salon was a welcome local attempt at exploiting the theatre potential of non-traditional theatre spaces. A salon is a great choice: so much potential for narcissism and display. The hot lights, the big mirrors. Everything ...
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(2010)It was a cold and rainy week. Two boys from Wellington bought their stylish road play to Hamilton. Meanwhile, back in Wellington, Ian McKellen bought his own fame back to Wellywood to stage Waiting for Godot, the biggest ...
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(2009)Is there a distinctive New Zealand Shakespeare? What 'new' approaches to Shakespeare have originated from New Zealand? This article explores the issue by contextualising a version of Romeo and Juliet staged successfully ...
Now showing items 1-5 of 6
Co-authors for Mark Houlahan
Supervised by Mark Houlahan
Showing up to 5 theses - most recently added to Research Commons first.
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(University of Waikato, 2012)Grotesque theatre is not a genre but a style of theatre made up of many strands which has been employed over many centuries beginning in Ancient Greece, particularly with Aristophanes and moving through time to the present. ... -
(University of Waikato, 2011)Alistair MacLeod’s short stories and novel (No Great Mischief) are widely read and critically praised. His writing focuses on the lives of the people of 20th century Cape Breton Island, Nova Scotia, and many of his characters ... -
(University of Waikato, 2010)In Renaissance England, dying a good death helped to ensure that the soul was prepared for the afterlife. In the theatre, however, playwrights disrupt and challenge the conventional formulas for last words, creating death ... -
(University of Waikato, 2010)Lady Arbella Stuart, a woman nearly forgotten in history and literature and yet a woman who lived a full and exciting life which is well documented in her letters to her family, friends and royalty (both Queen Elizabeth I ... -
(The University of Waikato, 2010)Georgette Heyer, a writer most famous for her Regency romances, has not entered the portals of any literary canon, yet her writing has had an impact on the literary world in terms of her contribution to popular fiction. ...