Browsing by Author "Houlahan, Mark"
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Houlahan, Mark
(Cambridge University Press, 2011)
This article reviews three books: “Native Shakespeares: Indigenous Appropriations on a Global Stage” edited by Craig Dionne and Parmita Kapadia, “The Shakespearean International Yearbook, vol. 9: Special section, South ...
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Houlahan, Mark
(Continuum, 2010)
At the famous climax of `Tis Pity, Giovanni enters the last scene of the play and, as he knows, his life, `with a heart upon his dagger', with which he-hearted implement he stabs his enemy and brother-in-law Soranzo, before ...
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Houlahan, Mark
(2010)
Salon was a welcome local attempt at exploiting the theatre potential of non-traditional theatre spaces. A salon is a great choice: so much potential for narcissism and display. The hot lights, the big mirrors. Everything ...
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Houlahan, Mark
(2010)
It was a cold and rainy week. Two boys from Wellington bought their stylish road play to Hamilton. Meanwhile, back in Wellington, Ian McKellen bought his own fame back to Wellywood to stage Waiting for Godot, the biggest ...
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Houlahan, Mark
(2009)
Is there a distinctive New Zealand Shakespeare? What 'new' approaches to Shakespeare have originated from New Zealand? This article explores the issue by contextualising a version of Romeo and Juliet staged successfully ...
Co-authors for Mark Houlahan
Supervised by Mark Houlahan