Research Commons

Browsing Māori and Pacific Development Papers by Title

Research Commons

Browsing Māori and Pacific Development Papers by Title

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  • Takurua, Nātana (Te Taura Whiri i Te Reo Māori, The Māori Language Commission, 2009)
    Tēnei au te noho nei me te kōroiroi o whakaaro i roto i a Hinengaro. He aha rā te take kāore i mau mai ai ngā ingoa Māori tūturu, whai mana nei i te taenga mai o te Pākehā ki Aotearoa nei? Nā wai i kī ka hurihia ngā ingoa ...
  • Vaioleti, Timote Masima (Kansanvalistusseura – The Finnish Lifelong Learning Foundation, 2012)
    This paper discusses characteristics of an adult education practice for peoples in the Pacific. There is no one Pacific way as the Pacific population is diverse consisting of many cultures, languages, social structures and ...
  • Te Awekotuku, Ngahuia (2003)
    Keynote address to the annual conference of the NZ Psychological Society, 28 August 2004 E rau rangatira ma, tena ra koutou…. This presentation will be in four sections. The first section will introduce two major issues, ...
  • Te Awekotuku, Ngahuia (Maori and Psychology Research Unit, University of Waikato, 1999)
    This was the closing keynote address at the Student Symposium organized by the Maori & Psychology Research Unit at the University of Waikato, Hamilton in August 1999. Most of the people attending were Maori, and female, ...
  • Te Awekotuku, Ngahuia (The New Zealand Psychological Society, 2012)
    This presentation will be in four sections. The first section introduces two major issues: mana motuhake, and mana tāngata, then we will consider some proposed legislation: the Foreshore and Seabed Bill and the Civil Union ...
  • Nikora, Linda Waimarie; Rua, Mohi; Te Awekotuku, Ngahuia; Guerin, Bernard (2004)
    A team led by Bernard Guerin is looking at the family and community impacts from contemporary forms of migration in a 6-year project Strangers in Town: Enhancing Family and Community in a More Diverse New Zealand Society, ...
  • Te Awekotuku, Ngahuia (Maori and Psychology Research Unit, University of Waikato, 2009)
    Moko patterns, mau moko, “wearing ink” is often explained as an act of remembrance, a symbol of honour or success, of grieving or loss. Memento mori, remembering the dead and remembrance of death, pervades the Maori world, ...
  • Wehi, Priscilla M.; Whaanga, Hēmi; Roa, Tom (2009)
    Recent conceptual shifts in ecology towards integration of humans into ecosystems requires all possible sources of ecological knowledge available (Berkes 2004, 2009 this issue). Māori traditional ecological knowledge of ...
  • Te Awekotuku, Ngahuia; Rua, Mohi; Nikora, Linda Waimarie (Maori and Psychology Research Unit, University of Waikato, 2008)
    Moko colours the lives, and the skins, of all the people involved in the making of this book “Mau Moko”, which began as the Marsden project, “Ta Moko – Culture, Body Modification, and the Psychology of Identity”, 2001-2005. ...
  • Penehira, Mera; Smith, Linda Tuhiwai; Green, Alison; Aspin, Clive (2011)
    The vision statement of Te Reo o Taranaki, “Tuku reo, tuku mouri: language, culture, crossing generations”, embodies the essence of an understanding of mouri which goes beyond the simple dictionary translations of “life ...
  • Nikora, Linda Waimarie; Guerin, Bernard; Rua, Mohi; Te Awekotuku, Ngahuia (2004)
    To better understand the social consequences of migration away from traditional iwi regions, Tūhoe researchers intensively interviewed 40 Tūhoe people who had moved to the Waikato. It was found that most missed whanau and ...
  • Roa, Tom; Beggs, Jacqueline R.; Williams, Jim; Moller, Henrik (2009)
    The Performance Based Research Funding (PBRF) model was instigated in 2002 to increase “the quality of research through peer assessment and performance indicators” in New Zealand (Ministry of Education 2002: 17). It is ...
  • Te Awekotuku, Ngahuia; Nikora, Linda Waimarie (2003)
    This report sets out to establish that Te Urewera and Tuhoe - the place, the people - are synonymous. It is argued by two discrete approaches - cultural property and the significance of place. These are both enmeshed in ...
  • Nikora, Linda Waimarie; Levy, Michelle Patricia; Waitoki, Waikaremoana; Masters-Awatere, Bridgette; Te Awekotuku, Ngahuia (Maori and Psychology Research Unit, University of Waikato, 2003)
    The opening address to the National Māori Graduates of Psychology Symposium 2002. This address introduces the themes of the conference: Kia matāra - negotiating the challenges in Māori development, kia mau – recruitment ...
  • Spiller, Dorothy; Bruce Ferguson, Pip; Pender, Kelly; Honeyfield, Judith; Maxwell, Te Kahautu; Campbell, Alison (Ako Aotearoa, 2011)
    This goal of this project was to develop a set of guidelines for creating teaching portfolios for the Tertiary Teaching Excellence Awards or for other purposes. It includes key pointers to “getting started”, collecting ...
  • Nikora, Linda Waimarie; Levy, Michelle Patricia; Masters, Bridgette; Waitoki, Waikaremoana; Te Awekotuku, Ngahuia; Etheridge, Richard J.M. (Maori and Psychology Research Unit, University of Waikato, 2003)
    This is the full proceedings of the National Māori Graduates of Psychology Symposium 2002. The proceeding include the following themes: Kia matāra - negotiating the challenges in Māori development, kia mau – recruitment ...
  • Nikora, Linda Waimarie; Rua, Mohi; Te Awekotuku, Ngahuia (2007)
    Moko is still here, contrary to the widely held belief that the art and custom of moko-Maori skin adornment-had vanished from New Zealand communities. Over the last two decades an increasingly visible number of Maori have ...
  • Crawford, Terri Ripeka (2009)
    Review of Tru Paraha's "Mareikura - Messages of Io", Soundings Theatre, Te Papa Tongarewa, Wellington, 6 June 2008.
  • Crawford, Terri Ripeka (2009)
    After a Nationwide tour, the RNZB is happy to close their season in the Waikato at The Founders Theatre. The anticipating audience at the Wednesday Eve showing is lightly humming with a quiet exuberance. A real family ...
  • Crawford, Terri Ripeka (2009)
    Tama Ma is an extraordinary work produced by Okareka Dance Company and performed by two of our most renowned contemporary dancers Taiaroa Royal and Taane Mete. It is rewarding to see such high quality dancers venture out ...

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