Technology, culture and location in a recent New Zealand sonic art project
Whalley, I. (2008). Technology, culture and location in a recent New Zealand sonic art project. In Proceedings of the 2008 International Computer Music Conference (pp. 615-618).
Permanent Research Commons link: http://hdl.handle.net/10289/8558
The HIEMPA (Hybrid Instruments from Electroacoustic Manipulation And Models of Pütorino and Aquascape) project combined a team of people with technical, artistic, environmental and cultural expertise toward the artistic outcome of extending the New Zealand sonic art tradition. The project involved collecting audio samples from the aquascape of the Ruakuri Caves and Nature Reserve in Waitomo, South Waikato, New Zealand; and samples of a variety of Pütorino – a New Zealand Mäori wind instrument. Following a machine learning analysis of this audio material and an analysis of the performance material, hybrid digital instruments were built and mapped to suitable hardware triggers. The new instruments are playable in real-time, along with the electroacoustic manipulation of Pütorino performances. The project takes into account the environmental and cultural significance of the source material, with the results to be released as a set of compositions. This paper discusses the research process.
The International Computer Music Association
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