Fielding's women

Fraundorfer, Kathleen Kilgour

Fielding's women

dc.contributor.advisor	Fowler, John
dc.contributor.author	Fraundorfer, Kathleen Kilgour
dc.date.accessioned	2016-04-17T21:42:08Z
dc.date.available	2016-04-17T21:42:08Z
dc.date.issued	1972
dc.date.updated	2016-04-17T21:41:05Z
dc.description.abstract	Last year, when I was studying Toa Jones, I found that if traditional approaches were used, Fielding did not seem to have achieved the aims outlined in the Dedication. Either his acknowledged masterpiece was flawed at its moral centre, or the book had been misinterpreted. I tried various methods of analysis, and found that neither Tom, nor Allworthy, nor the usual combination of Allworthy and Sophia in an allegorical sense, nor the meaning of the plot, was satisfactory, but if Sophia was central, then his intentions had been successfully achieved. This discovery led to the present study, the aim of which is to determine to what extent Woman is central to Fielding's art, as a whole.
dc.format.mimetype	application/pdf
dc.identifier.citation	Fraundorfer, K. K. (1972). Fielding’s women (Thesis, Bachelor of Philosophy). University of Waikato, Hamilton, New Zealand. Retrieved from https://hdl.handle.net/10289/10095	en
dc.identifier.uri	https://hdl.handle.net/10289/10095
dc.language.iso	en
dc.publisher	University of Waikato
dc.rights	All items in Research Commons are provided for private study and research purposes and are protected by copyright with all rights reserved unless otherwise indicated.
dc.title	Fielding's women
dc.type	Thesis
pubs.place-of-publication	Hamilton, New Zealand	en_NZ
thesis.degree.grantor	University of Waikato
thesis.degree.level	Masters
thesis.degree.name	Bachelor of Philosophy