Browsing by Supervisor "Lealand, Geoff"
Now showing items 1-6 of 6
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An explorative study of the encoding/decoding model in respect to television news in Papua New Guinea
(University of Waikato, 2014)Television in Papua New Guinea strives to exist in a pluralistic society characterised by diverse local cultures and traditions that blend with Western influences. It is important to understand the role of television and ... -
Chinese Reality TV- A Case Study of GDTV’s The Great Challenge for Survival
(University of Waikato, 2011)The emergence of reality programming has a parallel development with Chinese television media at the beginning of this century. This study of Chinese “Reality TV” is based on a case study of a pioneer Chinese reality ... -
New Zealand meets South Korea: Strategies for film co-productions between two countries
(University of Waikato, 2017)This study investigates the state of international film co-productions between New Zealand and South Korea and whether such co-productions are possible, and if so, which modes or types of film co-productions are likely to ... -
The Asian Diaspora in New Zealand Film: Conceptualising Asian New Zealand Cinema
(University of Waikato, 2015)New Zealand is officially described, and effectively operated, as a bicultural nation guided by the Treaty of Waitangi. Nonetheless, this society of four and a half million people also appears markedly multicultural and ... -
The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement
(University of Waikato, 2016)Do it Yourself (DiY) is a participatory culture which exemplifies a particular ethos in its approach to technology and materials. Rather than engage with ‘complete’ technologies, such as a technology supplied as ready-to-go ... -
Voices on the margins: the role of New Zealand cinema in the construction of national and cultural identity
(The University of Waikato, 2002)This thesis is based on the proposition that the New Zealand feature film Broken English (1996, Gregor Nicholas) constitutes a ‘break’ in New Zealand cinema on the level of its subject matter. Where feature films before ...
