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dc.contributor.authorLodge, Martinen_NZ
dc.date.accessioned2019-09-10T01:14:41Z
dc.date.available1998en_NZ
dc.date.available2019-09-10T01:14:41Z
dc.date.issued1998en_NZ
dc.identifier.citationLodge, M. (1998). Reflections on the renewal of music: a polemic. Music in New Zealand, 33, 6–7.en
dc.identifier.urihttps://hdl.handle.net/10289/12853
dc.description.abstractPluralism has been accepted as the best broad working definition of the current cultural and artistic situation in the West for some time now. In New Zealand, the debate over 'biculturalism' versus 'multiculturalism' drones on. Commercially this is reflected in both 'market segmentation' and its opposite-attempts at 'cross-over'. Artistically, it has made 'bicultural' works fashionable, as creative attempts are made to fuse various traditions together, especially the Maori and Western, and nowhere more so than in music. The key to making successful 'fusion' pieces seems to lie in first grasping the essential differences between the musics, then trying to resolve the clashes or accommodate friendly juxtapositions.
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.rightsThis article is published in the Music in New Zealand. Used with permission.
dc.titleReflections on the renewal of music: a polemicen_NZ
dc.typeJournal Article
dc.relation.isPartOfMusic in New Zealanden_NZ
pubs.begin-page6
pubs.editionSpringen_NZ
pubs.elements-id40221
pubs.end-page7
pubs.volume33en_NZ


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