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dc.contributor.authorBarrett, Kyleen_NZ
dc.contributor.editorHarmes, MKen_NZ
dc.contributor.editorHarmes, Ben_NZ
dc.contributor.editorHarmes, MAen_NZ
dc.date.accessioned2023-10-26T03:31:33Z
dc.date.available2023-10-26T03:31:33Z
dc.date.issued2023-08-04en_NZ
dc.identifier.isbn1476689342en_NZ
dc.identifier.isbn9781476689340en_NZ
dc.identifier.urihttps://hdl.handle.net/10289/16094
dc.description.abstractTheir fictional portrayals today take on added significance in light of social unrest surrounding cases of police brutality and discrimination. These essays explore 21st century portrayals of police on film and television.en_NZ
dc.format.extent20en_NZ
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherMcFarlanden_NZ
dc.rightsUsed with permission. From Watching the Cops: Essays on Police and Policing in 21st Century Film and Television © 2023 Edited by Marcus K. Harmes Barbara Harmes and Meredith A. Harmes by permission of McFarland & Company, Inc., Box 611, Jefferson NC28640. www.mcfarlandbooks.com.
dc.subjectPerforming Artsen_NZ
dc.title“A man must have a code”: Good ­Po-Lice and Representations of Masculinity in HBO’s The Wireen_NZ
dc.typeChapter in Book
dc.relation.isPartOfWatching the Cops: Essays on Police and Policing in 21st Century Film and Televisionen_NZ
pubs.begin-page90
pubs.elements-id329213
pubs.end-page107
pubs.place-of-publicationJefferson, North Carolinaen_NZ
pubs.publication-statusPublisheden_NZ
pubs.publisher-urlhttps://mcfarlandbooks.com/product/watching-the-cops/en_NZ
uow.identifier.chapter-no6


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