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dc.contributor.authorWhalley, Ian
dc.date.accessioned2010-01-17T22:47:04Z
dc.date.available2010-01-17T22:47:04Z
dc.date.issued2008
dc.identifier.citationWhalley, I. (2008). HIEMPA: Hybrid Instruments from Electroacoustic Manipulation and Models of Pütorino and Aquascape. Organised Sound, 13(3), 259-267.en
dc.identifier.issn1355-7718
dc.identifier.urihttps://hdl.handle.net/10289/3527
dc.description.abstractThe HIEMPA project combined a team of people with technical, artistic, environmental and cultural expertise towards an artistic outcome aiming to extend the New Zealand sonic art tradition. The work involved collecting audio samples from the aquascape of the Ruakuri Caves and Nature Reserve in Waitomo, South Waikato, New Zealand; and samples of a variety of pütorino – a New Zealand Mäori wind instrument. Following a machine learning analysis of this audio material and an analysis of the performance material, hybrid digital instruments were built and mapped to suitable hardware triggers. The new instruments are playable in realtime, along with the electroacoustic manipulation of pütorino performances. The project takes into account the environmental and cultural significance of the source material, with the results to be released as a set of compositions. This paper discusses the background research and process of the project.en
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherCambridge University Pressen_NZ
dc.subjectmusicen
dc.subjectHIEMPA projecten
dc.subjectNew Zealanden
dc.titleHIEMPA: Hybrid Instruments from Electroacoustic Manipulation and Models of Pütorino and Aquascapeen
dc.typeJournal Articleen
dc.identifier.doi10.1017/S1355771808000356en
dc.relation.isPartOfOrganised Sounden_NZ
pubs.begin-page259en_NZ
pubs.elements-id33602
pubs.end-page267en_NZ
pubs.issue3en_NZ
pubs.volume13en_NZ


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