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dc.contributor.authorLodge, Martin
dc.date.accessioned2010-12-06T02:04:14Z
dc.date.available2010-12-06T02:04:14Z
dc.date.issued2007
dc.identifier.citationLodge, M. (2007). Hau. Canzona, 26(49), 93-95.en_NZ
dc.identifier.urihttps://hdl.handle.net/10289/4846
dc.description.abstractThe article presents reflections on some issues encountered when combining traditional Maori and Western concert music. These issues include tradition and repertoire versus innovation, control versus freedom, collaboration versus appropriation, and the overlapping roles of creator and performer. Focal to the article is "Hau," a Maori word meaning breath or wind. The author also presents a comparison of Western music with traditional Maori instrumental music.en_NZ
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherComposers Association of New Zealanden_NZ
dc.relation.urihttp://www.canz.net.nz/pages/info.htmlen_NZ
dc.rightsThis article has been published in the journal: Canzona. Used with permission.en_NZ
dc.subjectmusicen_NZ
dc.subjectMaorien_NZ
dc.titleHauen_NZ
dc.typeJournal Articleen_NZ
dc.relation.isPartOfCanzona2007en_NZ
pubs.begin-page93en_NZ
pubs.elements-id34923
pubs.end-page95en_NZ
pubs.issue49en_NZ
pubs.volume28en_NZ


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