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      A necessary fiction: The ritualisation of stakeholder practices in New Zealand cinema

      Davies, Megan Jane
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      Davies, M. J. (2011). A necessary fiction: The ritualisation of stakeholder practices in New Zealand cinema (Thesis, Master of Philosophy (MPhil)). University of Waikato, Hamilton, New Zealand. Retrieved from https://hdl.handle.net/10289/5553
      Permanent Research Commons link: https://hdl.handle.net/10289/5553
      Abstract
      This thesis argues that stability of the concept ‘national cinema’ is located in the discursive positioning of individual films in such a way that they are connected to a national ‘common ground’, one which is ritually accessed via engagement with media such as cinema. This positioning, however, is not quantifiable and may not be identified as arising from any particular production practice, dimension of popularity, theme, style, characteristic of production personnel, and so on. By synthesising the work of several theorists and applying this synthesis to a selection of films, a framework of ideas (around the ritualised ‘flagging’ of the national via the expression of stakeholder interests) is applied to cinema in New Zealand. In particular, an ideoscape is ultimately mapped as a result of applying this framework of ideas. The normative assumptions of national cinema are examined in this way and found to be lacking despite the weight that the term ‘national cinema’ continues to have.
      Date
      2011
      Type
      Thesis
      Degree Name
      Master of Philosophy (MPhil)
      Supervisors
      Hight, Craig
      Hardy, Ann
      Publisher
      University of Waikato
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      All items in Research Commons are provided for private study and research purposes and are protected by copyright with all rights reserved unless otherwise indicated.
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      • Higher Degree Theses [1714]
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