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dc.contributor.authorCheesman, Sue
dc.date.accessioned2014-12-11T19:35:30Z
dc.date.available2014
dc.date.available2014-12-11T19:35:30Z
dc.date.issued2014
dc.identifier.citationCheesman, S. (2014). Dance and disability: Embracing difference, tensions and complexities. Dance Research Aotearoa, 2(1), 20–30. http://doi.org/10.15663%2Fdra.v2i1.26en
dc.identifier.issn2324-4593
dc.identifier.urihttps://hdl.handle.net/10289/8952
dc.description.abstractIn this paper I am particularly interested in unpacking the notion that dancers with a visible disability are both marginalised and hyper-visible. I refer to selected dance examples available on YouTube and consider these in relation to Whatley’s (2007) presumption of difference indicators in support of my aim to expand research into the area of dance and disability. Viewing these dance examples provided a ‘bouncing off’ point from which to unpack how these performances are perceived and made meaningful by their audiences. Drawing from discussion tasks set at several different conferences in response to viewing these dance examples, I share initial findings and consider issues that arose in embracing difference, tensions and complexities.
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherThe University of Waikato
dc.rightsPublished in the journal: Dance Research Aotearoa. © 2014 Faculty of Education, The University of Waikato. This work is licensed under a Creative Commons Attribution 3.0 License.
dc.subjectdance
dc.subjectdisability
dc.titleDance and disability: Embracing difference, tensions and complexities
dc.typeJournal Article
dc.identifier.doi10.15663%2Fdra.v2i1.26
dc.relation.isPartOfDance Research Aotearoa
pubs.begin-page20
pubs.elements-id84813
pubs.end-page30
pubs.issue1
pubs.volume2


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