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dc.contributor.authorWhalley, Ian
dc.date.accessioned2008-08-19T22:06:17Z
dc.date.available2008-08-19T22:06:17Z
dc.date.issued2005
dc.identifier.citationWhalley, I. (2005). Traditional New Zealand Māori instruments, composition and digital technology: some recent collaborations and processes. Organised Sound, 10(01), 57-65.en_US
dc.identifier.issn1355-7718
dc.identifier.urihttps://hdl.handle.net/10289/963
dc.description.abstractThis paper examines the integration of traditional New Zealand Māori instruments with digital music technology, and the use of these instruments in making new works. The focus is on the work of performer/composers Hirini Melbourne and Richard Nunns, as well as recent collaborations that Richard Nunns has undertaken with some composers and musicians in genres other than Māori music. Aesthetic, practical and cultural considerations in the composition process are explored.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherCambridge University Pressen_NZ
dc.relation.urihttp://journals.cambridge.org/action/displayJournal?jid=OSOen_US
dc.rightsThis article is published in the journal, Organised Sound. Copyright © Cambridge University Press 2005.en_US
dc.titleTraditional New Zealand Māori instruments, composition and digital technology: some recent collaborations and processesen_US
dc.typeJournal Articleen_US
dc.identifier.doi10.1017/S1355771805000671en_US
dc.relation.isPartOfOrganised Sound: An International Journal of Music Technologyen_NZ
pubs.begin-page57en_NZ
pubs.editionAprilen_NZ
pubs.elements-id30974
pubs.end-page65en_NZ
pubs.issue1en_NZ
pubs.volume10en_NZ


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