<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-26T20:02:02Z</responseDate><request verb="GetRecord" identifier="oai:researchcommons.waikato.ac.nz:10289/12116" metadataPrefix="uketd_dc">https://researchcommons.waikato.ac.nz/server/oai/request</request><GetRecord><record><header><identifier>oai:researchcommons.waikato.ac.nz:10289/12116</identifier><datestamp>2019-08-30T04:24:16Z</datestamp><setSpec>com_10289_2222</setSpec><setSpec>col_10289_2223</setSpec></header><metadata><uketd_dc:uketddc xmlns:uketd_dc="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:uketdterms="http://naca.central.cranfield.ac.uk/ethos-oai/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/ http://naca.central.cranfield.ac.uk/ethos-oai/2.0/uketd_dc.xsd">
   <dc:title>Léonce de Saint-Martin: Organist and composer</dc:title>
   <dc:creator>Smith, Philip Andrew</dc:creator>
   <uketdterms:advisor>Griffiths-Hughes, Rachael</uketdterms:advisor>
   <uketdterms:advisor>Lodge, Martin</uketdterms:advisor>
   <dcterms:abstract>This study examines the life and work of the largely forgotten organist Léonce de Saint-Martin and the role he played in the life of Notre-Dame Cathedral Paris.&#xd;
The Study consists of two parts:&#xd;
A)	 Performance&#xd;
The performance part consisted of four performances in addition to the final recital. These were related to both the topic and the requirements of the University of Waikato.&#xd;
1.	Liturgical Improvisations on "The Stations of the Cross."&#xd;
2.	Organ Concerto in G minor -  Francis Poulenc&#xd;
3.	Requiem – Maurice Duruflé &#xd;
4.	Solo Recital - St. Peter’s Cathedral Hamilton.&#xd;
5.	Final recital - Holy Trinity Cathedral Auckland.&#xd;
&#xd;
B) Thesis&#xd;
The thesis examines the development of the French organ in relation to the organ of Notre-Dame de Paris from 1198 to 1954. In addition, the life and work of the main protagonists Louis Vierne and Marcel Dupré are examined to put the role of Saint-Martin in context. The bulk of the work places the career of Saint-Martin into a fresh context, and examines his compositional and performance output purely on its musical merit, from a position of both chronological and geographical distance.</dcterms:abstract>
   <uketdterms:institution>The University of Waikato</uketdterms:institution>
   <dcterms:issued>2018</dcterms:issued>
   <dc:type>Thesis</dc:type>
   <dc:language xsi:type="dcterms:ISO639-2">en</dc:language>
   <dcterms:isReferencedBy>https://hdl.handle.net/10289/12116</dcterms:isReferencedBy>
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   <dc:rights>All items in Research Commons are provided for private study and research purposes and are protected by copyright with all rights reserved unless otherwise indicated.</dc:rights>
   <dc:subject>Leonce de Saint-Martin</dc:subject>
   <dc:subject>Notre Dame de Paris</dc:subject>
   <dc:subject>organist</dc:subject>
   <dc:subject>composer</dc:subject>
   <dc:subject>Louis Vierne</dc:subject>
</uketd_dc:uketddc></metadata></record></GetRecord></OAI-PMH>