<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-26T23:01:27Z</responseDate><request verb="GetRecord" identifier="oai:researchcommons.waikato.ac.nz:10289/16275" metadataPrefix="uketd_dc">https://researchcommons.waikato.ac.nz/server/oai/request</request><GetRecord><record><header><identifier>oai:researchcommons.waikato.ac.nz:10289/16275</identifier><datestamp>2023-12-19T00:25:06Z</datestamp><setSpec>com_10289_2222</setSpec><setSpec>col_10289_2223</setSpec></header><metadata><uketd_dc:uketddc xmlns:uketd_dc="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:uketdterms="http://naca.central.cranfield.ac.uk/ethos-oai/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/ http://naca.central.cranfield.ac.uk/ethos-oai/2.0/uketd_dc.xsd">
   <dc:title>A Study of the Adequacy of Post Functional Definitions of Art</dc:title>
   <dc:creator>Shams, Mehdi</dc:creator>
   <uketdterms:advisor>Kingsbury, Justine</uketdterms:advisor>
   <uketdterms:advisor>van Zyl, Liezl</uketdterms:advisor>
   <dcterms:abstract>In this thesis, I investigate the adequacy of post-functional definitions of art, including institutional, historical, disjunctive and buck-passing definitions. I evaluate these definitions with respect to their extensional adequacy, intentional adequacy, and informativeness. &#xd;
Philosophers of art have not always made a clear distinction between definitions of art and theories of art. I argue that this distinction is important. A definition of art must provide the means to distinguish artworks from non-artworks. In contrast, a theory of art need not do this, but it should be informative about such matters as the production or reception of artworks. To clarify what a definition is, I explain the concept of essence and from there, investigate various accounts of essentialism and anti-essentialism about art. &#xd;
I conclude that none of the definitions of art so far proposed are adequate. However, I argue that we do not in fact need a definition of art. Theories of art are potentially of considerably more use than definitions.</dcterms:abstract>
   <uketdterms:institution>The University of Waikato</uketdterms:institution>
   <dcterms:issued>2023</dcterms:issued>
   <dc:type>Thesis</dc:type>
   <dc:language xsi:type="dcterms:ISO639-2">en</dc:language>
   <dcterms:isReferencedBy>https://hdl.handle.net/10289/16275</dcterms:isReferencedBy>
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   <dc:rights>All items in Research Commons are provided for private study and research purposes and are protected by copyright with all rights reserved unless otherwise indicated.</dc:rights>
   <dc:subject>Definition of art</dc:subject>
   <dc:subject>Essence</dc:subject>
   <dc:subject>Art theory</dc:subject>
   <dc:subject>Extensional adequacy</dc:subject>
   <dc:subject>Intensional adequacy</dc:subject>
   <dc:subject>Disjunctive definitions of art</dc:subject>
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