Perrott, Lisa2023-07-202023-07-202023-07-2715013359289781501335921https://hdl.handle.net/10289/15924The first in-depth study of David Bowie's music videos across a sustained period takes on interweaving storyworlds of an iconic career. Remarkable for their capacity to conjure elaborate imagery, Bowie's videos provide fascinating exemplars of the artistry and remediation of music video. When their construction is examined across several years, they appear as time-travelling vessels, transporting kooky characters and strange story-world components across time and space. By charting Bowie's creative and collaborative process across five distinct phases, David Bowie and the Art of Music Video shows how he played a vital role in establishing music video as an artform. Filling a gap in the existing literature, this book shines a light on the significant contributions of directors such as Mick Rock, Stanley Dorfman and David Mallet, each of whom taught Bowie much about how to use the form. By examining Bowie's collaborative process, his use of surrealist strategies and his integration of avant-garde art with popular music and media, the book provides a history of music video in relation to the broader fields of audiovisual media, visual music and art.Sole authored research monograph6application/pdfenThis is an author’s accepted version of a chapter published in the book: David Bowie and the Art of Music Video. © 2023 The Author.ArtAudiovisual aestheticsAudiovisual mediaDavid BowieMusicMusic videoPopular musicRemediationBook