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A second at the sign: Signage increases visitors’ recall of wildlife information at a kiwi hatchery
(The University of Waikato, 2026) George, Annie Bella; Sargisson, Rebecca
Conservation of wildlife is an integral part of sustainable development of a nation and conservation education needs to remind citizens of how they can play their part. Signs are one of the commonly used low-cost tools to educate the public about different facts and actions necessary to conserve wildlife. I investigated whether a sign increased recall of pecific facts about kiwi predators. I used a single-case, multiple-baseline-across-site design with an ABAB reversal design. At the intervention site The National Kiwi Hatchery, Rotorua, visitor recall increased when the sign was present, compared to when it was absent. At the control site, Hamilton Zoo, where no sign was placed, recall was similar to sign-absent conditions at the intervention site and did not change over the study period. My research provides evidence that signs can be effective low-cost behavioural interventions.
Computer graphic art of clothing
(2019) Soo, Chin-En Keith
We are living in an ever-changing world, where new methods are being introduced to carry out the most staightforward task, where new inventions are being proposed to ease our daily operations, where new ideas are popping out at every corner. Since the dawn of time, mankind has been using innovation and creativity to survive and enhance life. With the use of technology, it has enabled more possibility and more significant endeavour. Now and forever, we are dependant on technology, that has played a substantial role in our design solutions, which inescapably affect every one of us.
Type brighter
(Domus Argenia, 2013) Soo, Chin-En Keith; Soddu, C; Colabella, E
Type Brighter is intended as a new way of reading the alphabet. Shape, colour and pattern create memorable sequences based on characteristics of the letterform. By utilizing colour and repetition, readability is promoted. Each letter of the English alphabet is assigned a colour and positions, resulting in a full set of unique patterns. The user types using the keyboard, and the corresponding lights are shown on the light board. The simplicity of colour makes Type Brighter an alternative to more complicated communications such as mores code, and the use of pattern creates memorable sequences of colour. User can also experience the change of ambience, while the moving colour type projects an abstract story using light. Type Brighter aims to create a new visual language through light. Colour, shape and pattern are strong visual elements, and when combined create a memorable experience. Colour serves an important part of our everyday lives and is easily distinguishable in all situations, making Type Brighter effective in a range of applications.
RenderRing
(Domus Argenia, 2015) Soo, Chin-En Keith; Soddu, Celestino; Colabella, Enrica
Renderring is a musical platform for intuitive composition. It enables users’ interaction to provide opportunity for anyone to draw a unique circle and translates the drawing into a piece of melody. Users are able to set the composition variables before they start (Tempo, time signature and number of notes). The process involves two parts: First is a collection of user input by getting user to draw any unique circle in a provided space. Second is an interpretation using the program to decipher the drawing and identify point of intersections on the musical staff. After which, the program will produce a unique piece of melody with the user’s drawing. The user can then proceed with options of redoing or saving the melody. Renderring aims to bring new experience to create melody with a vision to simplify complexity. Transferring oneself energy from one form to another by converting visual to sound. The process enables creativity and empowers everyone to express his or her hidden inner potentials by making straightforward music.
Solastalgia: International Humanitarian Law, Conflict and the Fabric of Life
(University of Wollongong Library, 2026-03-25) Alvarez-Jimenez, Alberto; Barbour, Karen; Hill, Rodrigo; Patrick, Declan
Solastalgia: Conflict and the Fabric of Life was a transdisciplinary project, engaging academics and artists from the fields of law and arts (dance, visual arts, photography and painting). The project evolved over five years, utilising a variety of research activities and methods of investigation, with embodied experience at the heart of the research. As the research progressed, the pivot point became the investigation of the concept of solastalgia – the civilian experience of pain and distress caused by destruction of home and home environments. This research project grew from our curiosity concerning how embodied investigation of international humanitarian law might inform our understanding of civilian experiences in armed conflict, particularly considering the legal principles of distinction and proportionality. Drawing from the perspectives of the academic disciplines involved, this article outlines the evolution of the project. It documents and expresses the transdisciplinary methods the researchers and artists engaged with.