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dc.contributor.authorBennett, Jesi LuJanen_NZ
dc.date.accessioned2022-05-17T23:41:35Z
dc.date.available2022-05-17T23:41:35Z
dc.date.issued2022
dc.identifier.issn1018-4252en_NZ
dc.identifier.urihttps://hdl.handle.net/10289/14866
dc.description.abstractThis essay addresses contemporary migrations of Chamorus tied to the history of US military presence in Micronesia and the ways Indigenous culture and identity are negotiated through the Chamorro Cultural Festival (CCF) that has been held annually in San Diego, California since 2009. The analysis explores how diasporic Chamorus maintain close transpacific connections to the Mariana Islands while also establishing Chamoru communities abroad through the CCF. The festival simultaneously enacts Chamoru identities based in both mobility and rootedness and is a large-scale expression of how Chamorus create and express collective identities.
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherCalifornia Digital Library (CDL)en_NZ
dc.rightsCopyright 2022 by the author(s).This work is made available under the terms of a Creative Commons Attribution-NonCommercial-NoDerivatives License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.title“I Sengsong San Diego”: The Chamoru Cultural Festival and the Formation of a Chamoru Diasporic Communityen_NZ
dc.typeJournal Article
dc.identifier.doi10.5070/pc222156844en_NZ
dc.relation.isPartOfPacific Arts: Journal of the Pacific Arts Associationen_NZ
pubs.begin-page114
pubs.elements-id270037
pubs.end-page129
pubs.issue1en_NZ
pubs.publication-statusPublished onlineen_NZ
pubs.volume22en_NZ
dc.identifier.eissn2769-108Xen_NZ


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