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dc.contributor.authorHill, Ren_NZ
dc.contributor.authorRoa, Ten_NZ
dc.contributor.editorMortensen Steagall, Men_NZ
dc.contributor.editorNesteriuk, Sen_NZ
dc.coverage.spatialSao Paulo, Brasilen_NZ
dc.date.accessioned2023-01-25T00:25:08Z
dc.date.available2023-01-25T00:25:08Z
dc.date.issued2022-12-31en_NZ
dc.identifier.issn2744-4015en_NZ
dc.identifier.urihttps://hdl.handle.net/10289/15449
dc.description.abstractThe words above are from the poem Māori King Tawhiao wrote expressing his love for his homelands of the Waikato and the region known today as the King Country. The words translate to: “I look down on the valley of Waikato, As though to hold it in the hollow of my hand.” Now imagine a large-scale photograph depicting a close-up frame of cupped hands trying to hold something carefully.
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherAUT - Auckland University of Technology School of Art & Design, Te Ara Auaha Communication Design Departmenten_NZ
dc.relation.urihttps://ojs.aut.ac.nz/linksymposium/en_NZ
dc.rightsThis research report has been published online by AUT - Auckland University of Technology School of Art & Design, Te Ara Auaha Communication Design Department. Used with permission.
dc.sourceLINK 2022International Conference of Practice and Research in Design and Global Southen_NZ
dc.subjectphotographyen_NZ
dc.subjectwanāngaen_NZ
dc.subjectplace-makingen_NZ
dc.subjectKaupapa Māorien_NZ
dc.titlePlace-making: Wānanga based photographic approachesen_NZ
dc.typeConference Contribution
dc.identifier.doi10.24135/link2022.v3i1.188en_NZ
dc.relation.isPartOfLINK 2022 Conference Proceedings Vol. 3 No. 1 (2022)en_NZ
pubs.begin-page37
pubs.elements-id302351
pubs.end-page40
pubs.finish-date2022-12-08en_NZ
pubs.issue1en_NZ
pubs.place-of-publicationAuckland, New Zealanden_NZ
pubs.publication-statusPublisheden_NZ
pubs.start-date2022-12-07en_NZ
pubs.volume3en_NZ


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