Research Commons
      • Browse 
        • Communities & Collections
        • Titles
        • Authors
        • By Issue Date
        • Subjects
        • Types
        • Series
      • Help 
        • About
        • Collection Policy
        • OA Mandate Guidelines
        • Guidelines FAQ
        • Contact Us
      • My Account 
        • Sign In
        • Register
      View Item 
      •   Research Commons
      • University of Waikato Research
      • Arts and Social Sciences
      • Māori & Psychology Research Unit
      • Māori & Psychology Research Unit Papers
      • View Item
      •   Research Commons
      • University of Waikato Research
      • Arts and Social Sciences
      • Māori & Psychology Research Unit
      • Māori & Psychology Research Unit Papers
      • View Item
      JavaScript is disabled for your browser. Some features of this site may not work without it.

      Considering photographs never taken during photo-production projects

      Hodgetts, Darrin; Chamberlain, Kerry; Radley, Alan
      DOI
       10.1080/14780880701583181
      Link
       www.informaworld.com
      Find in your library  
      Citation
      Export citation
      Hodgetts, D., Chamberlain, K. & Radley, A. (2007). Considering photographs never taken during photo-production projects. Qualitative Research in Psychology, 4(4), 263-280.
      Permanent Research Commons link: https://hdl.handle.net/10289/2202
      Abstract
      The visual medium is central to how most of us navigate daily life and come to know and interact with our social worlds. Recently, the role of visual dimensions of everyday life has surfaced in qualitative research in psychology. This paper explores some of the underlying processes foundational to participants' efforts to picture their worlds during photo-production projects. We draw on excerpts from a study of images of homelessness in London to exemplify various methodological issues surrounding the interpretation of photo-production materials. Emphasis is placed on the need to focus on photo-production because photographs taken never fully contain what is important to participants. Issues and events are often talked into the frame of photographs by participants. This process of presenting aspects of one's life extends to discussions of photographs not taken and reflections on processes of picturing everyday life. We argue that a consideration of photographs not taken is important if we are to maximise the utility of photo-production as a method and fully understand what it provides.
      Date
      2007
      Type
      Journal Article
      Publisher
      Routledge
      Collections
      • Māori & Psychology Research Unit Papers [257]
      Show full item record  

      Usage

       
       
       

      Usage Statistics

      For this itemFor all of Research Commons

      The University of Waikato - Te Whare Wānanga o WaikatoFeedback and RequestsCopyright and Legal Statement