Publication:
Towards a Theory of 'Appropriate Fandom'

dc.contributor.authorStewart, Marken_NZ
dc.date.accessioned2023-07-02T22:18:45Z
dc.date.available2023-07-02T22:18:45Z
dc.date.issued2023-03en_NZ
dc.description.abstractAs fandom and fan practices become more broadly recognized within popular culture, tensions and conflicts arise between different understandings of the 'appropriate' way to perform fandom. Different groups have different unspoken understandings of what constitutes the 'right' and the 'wrong' way to be a fan, to behave as a fan. These understandings may differ within a fandom, between different fandoms, between fans and the media industries, and between fans and the broader public. This article sketches a framework for how we might understand differing conceptions of 'appropriate' and 'inappropriate' fandom, explores the drivers behind these understandings, and highlights how different participants and stakeholders work to bring fans within their own conceptions of 'appropriate' fandom. The article outlines four modes or directions of 'appropriate' fandom and provides a detailed analysis of how top-down 'appropriate' fandom is evidenced within the television industry, using a case study of the US competition reality television series Survivor.
dc.format.mimetypeapplication/pdf
dc.identifier.issn1749-8716en_NZ
dc.identifier.urihttps://hdl.handle.net/10289/15827
dc.language.isoen
dc.publisherUniversity of Walesen_NZ
dc.relation.isPartOfParticipations: journal of audience and reception studiesen_NZ
dc.relation.urihttps://www.participations.org/19-02-09-stewart.pdfen_NZ
dc.rights© 2023. This work is licensed under a CC BY 4.0 licence.
dc.subjectfan policing
dc.subjectfan studies
dc.subjectmedia industries
dc.subjectfan behaviour
dc.titleTowards a Theory of 'Appropriate Fandom'en_NZ
dc.typeJournal Article
dspace.entity.typePublication
pubs.begin-page165
pubs.end-page182
pubs.issue2en_NZ
pubs.publication-statusPublished onlineen_NZ
pubs.volume19en_NZ

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