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dc.contributor.authorBarbour, Karenen_NZ
dc.contributor.editoremerald, elkeen_NZ
dc.contributor.editorRinehart, Robert E.en_NZ
dc.contributor.editorGarcia, Antonioen_NZ
dc.date.accessioned2017-06-19T22:01:57Z
dc.date.available2016en_NZ
dc.date.available2017-06-19T22:01:57Z
dc.date.issued2016en_NZ
dc.identifier.citationBarbour, K. (2016). Place-responsive choreography and activism. In elke emerald, R. E. Rinehart, & A. Garcia (Eds.), Global South Ethnographies (pp. 127–145). Rotterdam, The Netherlands: Sense Publishers.en
dc.identifier.isbn978-94-6300-493-0en_NZ
dc.identifier.urihttps://hdl.handle.net/10289/11116
dc.description.abstractSensory encounters with place, site and landscape have the potential to stimulate new and deeply felt engagements with local places, and to prompt discussion about the relationships between place, culture and identity. Such sensory encounters may also offer opportunities for critical, reflexive theorising and practice (Pink, 2008, 2009; Stevenson, 2014; Warren, 2012). Within the myriad of potentialities offered in research, a focus on sensory and embodied encounters with local places prompts me to articulate intersections between local issues of social justice and environmental activism and feminist choreography. As a dance artist and researcher, ethnographic research has led me to autoethnographic performance as a specific means to articulate my encounters with place through embodied expression and textual representation.
dc.format.extent18en_NZ
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherSense Publishersen_NZ
dc.rights© 2016 Sense Publishers. Used with permission.
dc.titlePlace-responsive choreography and activismen_NZ
dc.typeChapter in Book
dc.relation.isPartOfGlobal South Ethnographiesen_NZ
pubs.begin-page127
pubs.elements-id138441
pubs.end-page145
pubs.place-of-publicationRotterdam, The Netherlandsen_NZ
pubs.place-of-publicationRotterdam, The Netherlands
uow.identifier.chapter-no10


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