Whispering Birds: Site-specific dance, affect and emotion

Abstract

Researching embodied experiences of affect, feeling and emotion in site-specific dance offers understandings beyond the visual and aesthetic aspects of performance, opening consideration of both the performers’ and audiences’ participatory experiences. In this chapter, I discuss embodied experiences within site-specific dance for designed gardens. I draw on over ten years of site-specific work created for a regional arts festival, for which I have had the opportunity to investigate choreographic approaches to complement and enhance specific sites through embodiment. To begin, I provide an introduction to site-specific dance and discuss how live performance events allow affect, feeling and emotion to arise. Drawing on a range of writers from varied disciplines, I discuss affect as a fluid and relational, collective experience that extends beyond individual experiences as dancers, and may be shared with and between particular audiences at particular times and places.

Citation

Barbour, K. (2018). Whispering Birds: Site-specific dance, affect and emotion. In J. Butterworth & L. Wildschut (Eds.), Contemporary Choreography: A Critical Reader (2nd ed., pp. 295–308). Routledge. https://doi.org/10.4324/9781315563596

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