dc.contributor.author | Perrott, Lisa | en_NZ |
dc.contributor.editor | Rogers, H | en_NZ |
dc.contributor.editor | Freitas, J | en_NZ |
dc.contributor.editor | Porfirio, JF | en_NZ |
dc.date.accessioned | 2023-07-06T02:00:07Z | |
dc.date.available | 2023-07-06T02:00:07Z | |
dc.date.issued | 2023-11-30 | en_NZ |
dc.identifier.isbn | 1501387324 | en_NZ |
dc.identifier.isbn | 9781501387326 | en_NZ |
dc.identifier.uri | https://hdl.handle.net/10289/15854 | |
dc.description.abstract | An exploration of YouTube as a platform for remix, reuse, and sampling | en_NZ |
dc.format.extent | 12 | en_NZ |
dc.language.iso | en | |
dc.publisher | Bloomsbury Academic book series: 'New Approaches to Sound, Music and Media' | en_NZ |
dc.relation.uri | https://www.bloomsbury.com/au/remediating-sound-9781501387326/ | |
dc.rights | This is an author’s accepted version of a chapter published in the book: Remediating Sound Repeatable Culture, YouTube and Music. © 2023 Bloomsbury Publishing. | |
dc.subject | Computers | en_NZ |
dc.subject | YouTube | en_NZ |
dc.subject | Media | en_NZ |
dc.subject | Popular music | en_NZ |
dc.subject | Audiovisual media | en_NZ |
dc.subject | Fandom | en_NZ |
dc.subject | Remediation | en_NZ |
dc.subject | Music video | en_NZ |
dc.title | 'Spinning Straw Into Gold': Nacho Video and the Exquisite Corpse of Fan-editing | en_NZ |
dc.type | Chapter in Book | |
dc.relation.isPartOf | Remediating Sound Repeatable Culture, YouTube and Music | en_NZ |
pubs.begin-page | 243 | |
pubs.elements-id | 320890 | |
pubs.end-page | 266 | |
pubs.place-of-publication | New York | en_NZ |
pubs.publication-status | Published online | en_NZ |
pubs.publisher-url | https://www.bloomsbury.com/uk/remediating-sound-9781501387333/ | en_NZ |
uow.identifier.chapter-no | 11 | |