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      The piano as cultural symbol in colonial New Zealand

      Moffat, Kirstine
      DOI
       10.1111/j.1478-0542.2009.00612.x
      Link
       www3.interscience.wiley.com
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      Moffat, K. (2009). The piano as cultural symbol in colonial New Zealand. History Compass, 7(3), 719-741.
      Permanent Research Commons link: https://hdl.handle.net/10289/2711
      Abstract
      The piano was an important cultural symbol in colonial New Zealand, yet although there is a significant body of international scholarship on the social and cultural history of the instrument in Britain, America, Canada, Norway, Spain and India there is a dearth of scholarly criticism relating to New Zealand. Research to redress this absence has revealed that the piano was central to settler culture, demonstrating a migrant desire to replicate the known and familiar but also highlighting settler innovations and an emerging nationalism. International connections between New Zealand, Britain, Western Europe, America and Australia are also apparent in relation to migrant patterns, the importation of instruments and sheet music and networks of musical performance and study. The instrument played a role in the complex dynamic of cultural encounter between Maori and settler, with an initial indigenous negativity and bemusement giving way to an interest in the piano and an appropriation of the instrument into Maori cultural contexts and spaces, including the marae. Prevailing perceptions of gender roles and identity are also challenged by research on the piano. Likewise, an examination of piano and class reveals that the instrument was popular with New Zealanders from all socio-economic backgrounds.
      Date
      2009
      Type
      Journal Article
      Publisher
      Wiley-Blackwell Publishing Ltd
      Collections
      • Arts and Social Sciences Papers [1424]
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