Modes of representation in contemporary Galician visual poetry
Lopez-Fernandez, L. (2011) Modes of representation in contemporary Galician visual poetry. In K. Hooper & M. Puga Moruxa (Eds.), Contemporary Galician Cultural Studies Between the Local and the Global (pp258-271). New York, USA: Modern Language Association of America.
Permanent Research Commons link: https://hdl.handle.net/10289/7049
Visual poetry in Galicia had a plural and discontinuous existence in the twentieth century'! Its development in Galicia follows national (Spanish) and international artistic practices, while also engaging in the configuration of a local, national, and transnational Galician identity. The practice of different styles of visual poetry shows a rich line of creativity, especially in the last four decades. Their approaches coincide with sociocultural and economic changes in Spain, such as the end of the dictatorship in 1975, the consequent normalization of the Galician language, and more recently the progressive influence of globalization. This essay considers how current Galician visual poets reconceptualize these issues in the context of an international cultural and visual aesthetics.
Modern Language Association of America [MLA]
Reprinted by permission of the Modern Language Association of America from “Modes of Representation in contemporary Galician Visual Poetry.” Contemporary Galician Cultural Studies (pp 258-271)”: