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dc.contributor.authorDart, William
dc.contributor.authorElmsly, John
dc.contributor.authorWhalley, Ian
dc.date.accessioned2008-08-11T04:35:23Z
dc.date.available2008-08-11T04:35:23Z
dc.date.issued2001
dc.identifier.citationDart, W., Elmsly, J. & Whalley, I. (2001). A view of computer music from New Zealand: Auckland, Waikato and the Asia/Pacific connection. Organised Sound, 6(1), 11-20.en_US
dc.identifier.issn1355-7718
dc.identifier.urihttps://hdl.handle.net/10289/936
dc.description.abstractDealing predominantly with ‘art music’ aspects of electroacoustic music practice, this paper looks at cultural, aesthetic, environmental and technical influences on current and emerging practices from the upper half of the North Island of New Zealand. It also discusses the influences of Asian and Pacific cultures on the idiom locally. Rather than dwell on the similarities with current international styles, the focus is largely on some of the differences.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherCambridge University Pressen_NZ
dc.relation.urihttp://journals.cambridge.org/action/displayJournal?jid=OSOen_US
dc.rightsThis article is published in the journal, Organised Sound. Copyright © 2001 Cambridge University Press.en_US
dc.subjectmusicen_US
dc.subjectcomputer musicen_US
dc.subjectelectroacoustic musicen_US
dc.subjectNew Zealanden_US
dc.titleA view of computer music from New Zealand: Auckland, Waikato and the Asia/Pacific connectionen_US
dc.typeJournal Articleen_US
dc.identifier.doi10.1017/S1355771801001030en_US
dc.relation.isPartOfOrganised Sound: An International Journal of Music Technologyen_NZ
pubs.begin-page11en_NZ
pubs.elements-id42291
pubs.end-page20en_NZ
pubs.issue1en_NZ
pubs.volume6en_NZ


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