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dc.contributor.authorWhalley, Ian
dc.date.accessioned2008-08-19T22:03:48Z
dc.date.available2008-08-19T22:03:48Z
dc.date.issued2004
dc.identifier.citationWhalley, I. (2004). PIWeCS: enhancing human/machine agency in an interactive composition system. Organised Sound, 9(02), 167-174.en_US
dc.identifier.issn1355-7718
dc.identifier.urihttps://hdl.handle.net/10289/962
dc.description.abstractThis paper focuses on the infrastructure and aesthetic approach used in PIWeCS: a Public Space Interactive Web-based Composition System. The concern was to increase the sense of dialogue between human and machine agency in an interactive work by adapting Paine's (2002) notion of a conversational model of interaction as a ‘complex system’. The machine implementation of PIWeCS is achieved through integrating intelligent agent programming with MAX/MSP. Human input is through a web infrastructure. The conversation is initiated and continued by participants through arrangements and composition based on short performed samples of traditional New Zealand Maori instruments. The system allows the extension of a composition through the electroacoustic manipulation of the source material.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherCambridge University Pressen_NZ
dc.relation.urihttp://journals.cambridge.org/action/displayJournal?jid=OSOen_US
dc.rightsThis article is published in the journal, Organised Sound. Copyright © Cambridge University Press 2004.en_US
dc.titlePIWeCS: enhancing human/machine agency in an interactive composition systemen_US
dc.typeJournal Articleen_US
dc.identifier.doi10.1017/S135577180400024Xen_US
dc.relation.isPartOfOrganised Sounden_NZ
pubs.begin-page167en_NZ
pubs.editionAugusten_NZ
pubs.elements-id30202
pubs.end-page174en_NZ
pubs.issue2en_NZ
pubs.volume9en_NZ


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