Broadening telematic electroacoustic music by affective rendering and embodied real-time data sonification

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dc.contributor.authorWhalley, Ianen_NZ
dc.contributor.editorGeorgaki, A.en_NZ
dc.contributor.editorKouroupetroglou, G.en_NZ
dc.coverage.spatialAthens, Greeceen_NZ
dc.date.accessioned2019-11-25T01:31:52Z
dc.date.available2014en_NZ
dc.date.available2019-11-25T01:31:52Z
dc.date.issued2014en_NZ
dc.description.abstractOften played in traditional music performance formats, much recent telematic electroacoustic music focuses on the relationships between people/machines and geographically distributed cultures/spaces/players, and/or it adopts electroacoustic music’s historical concerns with natural environmental sound art or space manipulation. But a more suitable environment for telematic art works is perhaps found in the inter-relationship between ‘players’ and broader contemporary networked life – one embedded in multiple real-time informational data streams. While these streams are often rendered visually, they are also partly interpreted through embodied cognition that can be similar to music and sonic art interpretation. A fruitful meeting point for telematic electroacoustic music and real-time data sonification is in using affective composition/performance and an affective/embodied means of data sonification. To illustrate this, one means of rendering affective telematic electroacoustic music is outlined, and a bridge to one form of real-time data stream representing collective embodiment put forward – forex data rendering – as an example. Amalgamating these approaches in telematic electroacoustic music allows dialectic between networked performers/composers and clusters of collective behaviors. Artistically, this facilitates the notion of how small groups of individuals might plot course(s) of action that are often altered by external pressures, therefore demonstrating a means of exploring participants’ placement in contemporary environments.
dc.format.mimetypeapplication/pdf
dc.identifier.citationWhalley, I. (2014). Broadening telematic electroacoustic music by affective rendering and embodied real-time data sonification. In A. Georgaki & G. Kouroupetroglou (Eds.), Proceedings of the 40th International Computer Music Conference and 11th Sound and Music Computing Conference (Vol. 1, pp. 301–307). Athens, Greece: National and Kapodistrian University of Athens.en
dc.identifier.isbn978-960-466-135-0en_NZ
dc.identifier.urihttps://hdl.handle.net/10289/13190
dc.language.isoen
dc.publisherNational and Kapodistrian University of Athensen_NZ
dc.relation.isPartOfProceedings of the 40th International Computer Music Conference and 11th Sound and Music Computing Conferenceen_NZ
dc.rightsCopyright: © 2014 Ian Whalley. This is an open-access article distributed under the terms of the Creative Commons Attribution License 3.0 Unported, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
dc.sourceJoint Conference ICMS/SMC: 40th International Computer Music Conference and 11th Sound and Music Computing Conferenceen_NZ
dc.titleBroadening telematic electroacoustic music by affective rendering and embodied real-time data sonificationen_NZ
dc.typeConference Contribution
pubs.begin-page301
pubs.begin-page301
pubs.elements-id115705
pubs.end-page307
pubs.end-page307
pubs.finish-date2014-09-20en_NZ
pubs.organisational-group/Waikato
pubs.organisational-group/Waikato/DASL
pubs.organisational-group/Waikato/DASL/SSAR
pubs.organisational-group/Waikato/DASL/SSAR/MUSI
pubs.organisational-group/Waikato/Staff
pubs.owner.emailmusik@waikato.ac.nz
pubs.owner.nameWhalley, Ian
pubs.publication-statusPublisheden_NZ
pubs.publisher-urlhttp://www.icmc14-smc14.net/en_NZ
pubs.start-date2014-09-14en_NZ
pubs.volume1en_NZ
uow.verification.statusverified
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