Applications of system dynamics modelling to computer music
dc.contributor.author | Whalley, Ian | |
dc.date.accessioned | 2008-08-19T22:01:09Z | |
dc.date.available | 2008-08-19T22:01:09Z | |
dc.date.issued | 2000 | |
dc.description.abstract | Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling and simulation tools can be used as a scoring device to map the structural dynamic shape of interest of computer music compositions. The tools can also be used as a generator of compositional ideas reflecting thematic juxtaposition and emotional flux in musical narratives. These techniques allow the modelling of everyday narratives to provide a structural/metaphorical means of music composition based on archetypes that are shared with wider audiences. The methods are outlined using two examples. | en_US |
dc.format.mimetype | application/pdf | |
dc.identifier.citation | Whalley, I. (2000). Applications of system dynamics modelling to computer music. Organised Sound, 5(03), 149-157. | en_US |
dc.identifier.doi | 10.1017/S1355771800005057 | en_US |
dc.identifier.issn | 1355-7718 | |
dc.identifier.uri | https://hdl.handle.net/10289/961 | |
dc.language.iso | en | |
dc.publisher | Cambridge University Press | en_NZ |
dc.relation.isPartOf | Organised Sound | en_NZ |
dc.relation.uri | http://journals.cambridge.org/action/displayJournal?jid=OSO | en_US |
dc.rights | This article is published in the journal, Organised Sound. Copyright © 2000 Cambridge University Press. | en_US |
dc.title | Applications of system dynamics modelling to computer music | en_US |
dc.type | Journal Article | en_US |
pubs.begin-page | 149 | en_NZ |
pubs.elements-id | 30084 | |
pubs.end-page | 157 | en_NZ |
pubs.issue | 3 | en_NZ |
pubs.volume | 5 | en_NZ |
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