Research Commons
      • Browse 
        • Communities & Collections
        • Titles
        • Authors
        • By Issue Date
        • Subjects
        • Types
        • Series
      • Help 
        • About
        • Collection Policy
        • OA Mandate Guidelines
        • Guidelines FAQ
        • Contact Us
      • My Account 
        • Sign In
        • Register
      View Item 
      •   Research Commons
      • University of Waikato Research
      • Arts and Social Sciences
      • Arts and Social Sciences Papers
      • View Item
      •   Research Commons
      • University of Waikato Research
      • Arts and Social Sciences
      • Arts and Social Sciences Papers
      • View Item
      JavaScript is disabled for your browser. Some features of this site may not work without it.

      Applications of system dynamics modelling to computer music

      Whalley, Ian
      Thumbnail
      Files
      Whalley applications.pdf
      258.0Kb
      DOI
       10.1017/S1355771800005057
      Link
       journals.cambridge.org
      Find in your library  
      Citation
      Export citation
      Whalley, I. (2000). Applications of system dynamics modelling to computer music. Organised Sound, 5(03), 149-157.
      Permanent Research Commons link: https://hdl.handle.net/10289/961
      Abstract
      Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling and simulation tools can be used as a scoring device to map the structural dynamic shape of interest of computer music compositions. The tools can also be used as a generator of compositional ideas reflecting thematic juxtaposition and emotional flux in musical narratives. These techniques allow the modelling of everyday narratives to provide a structural/metaphorical means of music composition based on archetypes that are shared with wider audiences. The methods are outlined using two examples.
      Date
      2000
      Type
      Journal Article
      Publisher
      Cambridge University Press
      Rights
      This article is published in the journal, Organised Sound. Copyright © 2000 Cambridge University Press.
      Collections
      • Arts and Social Sciences Papers [1423]
      Show full item record  

      Usage

      Downloads, last 12 months
      64
       
       
       

      Usage Statistics

      For this itemFor all of Research Commons

      The University of Waikato - Te Whare Wānanga o WaikatoFeedback and RequestsCopyright and Legal Statement