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dc.contributor.authorWhalley, Ian
dc.date.accessioned2008-08-19T22:01:09Z
dc.date.available2008-08-19T22:01:09Z
dc.date.issued2000
dc.identifier.citationWhalley, I. (2000). Applications of system dynamics modelling to computer music. Organised Sound, 5(03), 149-157.en_US
dc.identifier.issn1355-7718
dc.identifier.urihttps://hdl.handle.net/10289/961
dc.description.abstractBased on a composer's psycho-acoustic imagination or response to music, system dynamics modelling and simulation tools can be used as a scoring device to map the structural dynamic shape of interest of computer music compositions. The tools can also be used as a generator of compositional ideas reflecting thematic juxtaposition and emotional flux in musical narratives. These techniques allow the modelling of everyday narratives to provide a structural/metaphorical means of music composition based on archetypes that are shared with wider audiences. The methods are outlined using two examples.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherCambridge University Pressen_NZ
dc.relation.urihttp://journals.cambridge.org/action/displayJournal?jid=OSOen_US
dc.rightsThis article is published in the journal, Organised Sound. Copyright © 2000 Cambridge University Press.en_US
dc.titleApplications of system dynamics modelling to computer musicen_US
dc.typeJournal Articleen_US
dc.identifier.doi10.1017/S1355771800005057en_US
dc.relation.isPartOfOrganised Sounden_NZ
pubs.begin-page149en_NZ
pubs.elements-id30084
pubs.end-page157en_NZ
pubs.issue3en_NZ
pubs.volume5en_NZ


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